Lately, I’ve been writing hard, more professionally than years past, which means also a bit more mechanically. Some words are needed, so I crank them out.
GoodWordEditing.com (which I have tabbed as GWE in my browser) is one of my few places where I can still play. Play is so important. Like I’ve said before, this is not a subscribe to me kind of blog. I’ve thought of posts this week, I might write–about the twenty-two-thirty rule of engaging readers that I learned on Tuesday, about the scene and plot things I’m learning in my own writing, about how to carve out writing time when you have a family and a career and a church and dogs that need someone to throw the frisbee, about how to use tools like Plaxo to follow other bloggers, about how to use Twitter as a method of social note taking, even a spiritual analysis of Battlestar Galactica Resistance clips showing where that series does a good job of opening the door to think about faith and religion as something to be taken seriously.
Except for Battlestar Galactica, those things don’t feel much like play to me. Even Battlestar doesn’t feel as playful when I’m analyzing it for scene structure, character motivation, and theme.
But poetry is so useless, it’s only good for play. The movement of a poem isn’t going to take me anywhere in particular. I’m just here swinging with the words. Up and back. Up and back. Or maybe kayaking around Serenity Island at one of our city parks. (Yes, I live in heaven.)
And earlier this morning, I finally found this poem. Or I should say it found me. People kept sending it to me. Quoting it back to me. And I realized it was time to climb on the swing, time to get in the boat again.
I got tired of the never ending blogroll that grew in my sidebar. I’ve now switched to a google reader widget that will share my favorite posts as I read them. For those who prefer the traditional static list, though, here it is:
Here it is Wednesday, and I’m just now getting to the Christian Science Fiction and Fantasy blog tour! My apologies to everyone for the weak showing this round. All that to say George Bryan Polivka’s The Legend of the Firefish looks awesome. He’s got a new blog, too.
I thought it would be fun to play acquisitions editor based on the first page. What if I got this first page as an unsolicited manuscript? What works? What questions does it raise?
On Friday, I spent an hour on the phone with one of my personal heroes, Parker Palmer. I was interviewing him for TheHighCalling.org.
To be honest, the experience left me feeling a little shaken. Much of Palmer’s writing has been very influential to me, but none more so than The Courage to Teach. In the mid point of my ten years of teaching, this book helped me find hope again.
Michael Hyatt posted some interesting ideas about print on demand. It could be arriving at a book store near you, though I’m not sure what that will mean for readers, consumers, writers, publishers, agents.
I can tell you who won’t be effected by such machines: editors.
Not very to this little publicity stunt. Apparently, the Jane Austen Festival submitted three book proposals based on Jane Austen’s books, including sample chapters that were remarkably similar to the original manuscripts–even going so far as to state verbatim the first sentence of Pride and Prejudice:
It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.
Tip of the hat to David Zimmerman at IVP’s Behind the Books for posting on this. (But it breaks my heart to see Dave’s completely reasonable explanation for why Jane Austen would never be successful today. Sigh.)