Several months ago, I began book critiques that I call Page One Reviews.
Here’s the premise: I look at a book as if I’m an acquisitions editor and ask, “What if I got this first page as an unsolicited manuscript? What works? What questions does it raise?”
Today, as part of the CSFF blog tour, I’ll be looking at Jeffrey Overstreet’s fantasy Auralia’s Colors. You may already know Jeffrey from his nonfiction work, Through a Screen Darkly. He also blogs at The Looking Closer Journal, which has the wonderful tagline “the truth must dazzle gradually” from one of my favorite Emily Dickinson poems: Tell All the Truth but Tell It Slant.
First, I created a little present for Becky this weekend. Like the Cat in the Hat, I call them Widget 1 and Widget 2. Anyone who enjoys the CSFF tours (especially participants!) should feel free to grab them for your own site. For now, I grabbed the SpecFaith banner as a logo, but we might want to think about getting our own CSFF logo.
Now, without further ado, here’s page one of Auralia’s Colors thanks to Christianbook.com.
Old Thieves Make a Discovery
Auralia lay still as death, like a discarded doll, in a burgundy tangle of rushes and spineweed on the bank of a bend in the River Throanscall, when she was discovered by an old man who did not know her name.
She bore no scars, no broken bones, just the stain of inkblack soil. Contentedly, she cooed, whispered, and babbled, learning the river’s language, and focused her gaze on the stormy dance of evening sky–roiling purple clouds edged with blood red. The old man surmised she was waiting and listening for whoever, or whatever, had forsaken her there.
Those fevered moments of his discovery burnt into the old man’s memory. In the years that followed, he would hold and turn them in his mind the way an explorer ponders relics he has found in the midst of ruin. But the mystery remained stubbornly opaque. No matter how often he exaggerated the story to impress his fireside listeners–”I dove into that ragin’ river and caught her by the toe!” “I fought off that hungry river wyrm with my picket-staff just in time!”–he found no clue to her origins, no answers to questions of why or how.
The Gatherers, House Abascar, the Expanse–the whole world might have been different had he left her there with riverwater running from her hair. “The River Girl”–that was what the Gatherers came to call her until she grew old enough to set them straight. Without the River Girl, the four houses of the Expanse might have perished in their troubles. But then again, some say that without the River Girl those troubles might never have come at all.
There is a lot to get excited about in this first page. From the beginning this novel presents us with paradox. The first word is the name of a character whose name we quickly told to forget. No one will learn her name for a long time, and until then she is just the “River Girl.”
Thematically and symbolically, the idea of a girl who can speak to rivers is rich. At this point, it seems like a metaphor rather than some kind of actual power, but the concept is just fun. Then of course, there is also the general power of the river as an archetype–a Christian allusion to baptism or even just a Jungian reference to birth and rebirth in the broader sense.
As far as plot goes, the final paragraph takes the image of a mute girl found by an old man and suggests epic consequences. This book will have high stakes. The world will hang in the balance, cif Joseph Campbell.
Finally, I notice the power of the sentences themselves. The first sentence promise the author can dazzle us with some good poetic density. And the other paragraphs assure us that he also knows how to keep the pace moving along. To me, the use of emdashes (five on the first page) suggest a more informal style overall.
What do you notice about the first page? What works here for you? What makes you want to read more?
Click here to see a dynamic list of participants in the CSFF blog tour.


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